Princess

Princess is a regal rank and the feminine equivalent of prince (from Latin princeps, meaning principal citizen). Most often, the term has been used for the consort of a prince or for the daughters of a king or sovereign prince.

Princess as a substantive title

The titles of some princesses hold their titles are reigning monarchs of principalities. There have been fewer instances of reigning princesses than reigning princes as most principalities excluded women from inheriting the throne. Examples of princesses regnant have included Constance of Antioch, princess regnant of Antioch in the 12th century. As the President of France, an office for which women are eligible, is ex-officio co-Prince of Andorra, Andorra could theoretically be ruled by a co-Princess.

Princess as a courtesy title

Descendants of monarchs

For many centuries, the title "princess" was not regularly used for a monarch's daughter, who, In English, might simply be called "Lady". Old English had no female equivalent of "prince", "earl", or any royal or noble title aside from queen. Royal women were simply addressed or referred to as "The Lady [Firstname]". For example, Elizabeth and Mary, daughters of Henry VIII of England were often simply referred to as "the Ladies Elizabeth and Mary". This practice, however, was not consistent. In the marriage contract between Prince George of Denmark and Anne, daughter of James I of Great Britain, Anne is referred to as "The Princess Anne".

Pop'n Music

Pop'n Music (ポップンミュージック Poppun Myūjikku), commonly abbreviated as Pop'n, PM or PNM and stylized as pop'n music, is a music video game series in the Bemani series made by the Konami Corporation. The games are known for their bright colors, upbeat songs, and cartoon character graphics. Originally released in 1998, the series has had over fifteen home releases in Japan as well as many arcade versions.

Arcade versions

MUSIC-N

MUSIC-N refers to a family of computer music programs and programming languages descended from or influenced by MUSIC, a program written by Max Mathews in 1957 at Bell Labs. MUSIC was the first computer program for generating digital audio waveforms through direct synthesis. It was one of the first programs for making music (in actuality, sound) on a digital computer, and was certainly the first program to gain wide acceptance in the music research community as viable for that task. The world's first computer-controlled music was generated in Australia by programmer Geoff Hill on the CSIRAC computer which was designed and built by Trevor Pearcey and Maston Beard. However, CSIRAC produced sound by sending raw pulses to the speaker, it did not produce standard digital audio with PCM samples, like the MUSIC-series of programs.

Design

All MUSIC-N derivative programs have a (more-or-less) common design, made up of a library of functions built around simple signal-processing and synthesis routines (written as opcodes or unit generators). These simple opcodes are then constructed by the user into an instrument (usually through a text-based instruction file, but increasingly through a graphical interface) that defines a sound which is then "played" by a second file (called the score) which specifies notes, durations, pitches, amplitudes, and other parameters relevant to the musical informatics of the piece. Some variants of the language merge the instrument and score, though most still distinguish between control-level functions (which operate on the music) and functions that run at the sampling rate of the audio being generated (which operate on the sound). A notable exception is ChucK, which unifies audio-rate and control-rate timing into a single framework, allowing arbitrarily fine time granularity and also one mechanism to manage both. This has the advantage of more flexible and readable code as well as drawbacks of reduced system performance.

Orchestra

An orchestra (/ˈɔːrkᵻstrə/ or US /ˈɔːrˌkɛstrə/; Italian: [orˈkɛstra]) is a large instrumental ensemble used in classical music that contains sections of string (violin, viola, cello and double bass), brass, woodwind, and percussion instruments. Other instruments such as the piano and celesta may sometimes be grouped into a fifth section such as a keyboard section or may stand alone, as may the concert harp and, for 20th and 21st century compositions, electric and electronic instruments. The term orchestra derives from the Greek ὀρχήστρα, the name for the area in front of an ancient Greek stage reserved for the Greek chorus. The orchestra grew by accretion throughout the 18th and 19th centuries, but changed very little in composition during the course of the 20th century.

Piccolo

The piccolo/ˈpɪkəloʊ/ (Italian pronunciation: [ˈpikkolo]; Italian for "small", but named ottavino in Italy) is a half-size flute, and a member of the woodwind family of musical instruments. The modern piccolo has most of the same fingerings as its larger sibling, the standard transverse flute, but the sound it produces is an octave higher than written. This gave rise to the name ottavino (Italian for "little octave"), the name by which the instrument is referred to in the scores of Italian composers.

Piccolos are now only manufactured in the key of C ; however, they were once also available in D♭. It was for this D♭ piccolo that John Philip Sousa wrote the famous solo in the final repeat of the closing section (trio) of his march "The Stars and Stripes Forever".

In the orchestral setting, the piccolo player is often designated as "piccolo/flute III", or even "assistant principal". The larger orchestras have designated this position as a solo position due to the demands of the literature. Piccolos are often orchestrated to double the violins or the flutes, adding sparkle and brilliance to the overall sound because of the aforementioned one-octave transposition upwards. In concert band settings, the piccolo is almost always used and a piccolo part is almost always available.